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To export a print-ready PDF for a display graphic, start from our product template, so the page is already the finished size plus bleed. Then save with the [Press Quality] preset, set images to 150 ppi, leave printer's marks off and, in Illustrator, switch off "Preserve Illustrator Editing Capabilities". Before you export, the artwork itself should already be in CMYK, with fonts outlined or embedded and transparencies flattened.
Each program gets there a different way. Here's what to set in each one, and how to check the file before you send it to us.
The full list is on our artwork specifications page.
Go to File > Save As. If a Save to Creative Cloud dialog box appears, select On your computer. Choose Adobe PDF as the file type and click Save. Adobe notes that Save As swaps the open .ai document for the PDF, so make sure your master file is saved first.
In the Save Adobe PDF window, pick [Press Quality] from the Adobe PDF Preset menu. Adobe describes it as the preset for high-quality print production. It converts colours to CMYK and embeds subsets of all fonts. It doesn't flatten transparency, though: it keeps it live, so flatten the file as our specifications ask (see the PDF/X note below).
In the General panel, untick Preserve Illustrator Editing Capabilities. This is the setting that makes the biggest difference to file size. Our guide on how to make a PDF file smaller explains how this one setting can cut a file by up to 95%.
In the Compression panel, set colour and greyscale bitmap images to 150 ppi, and monochrome bitmap images to 600 ppi. Left alone, Press Quality downsamples colour and greyscale images to 300 ppi, which makes a much heavier file. 150 ppi is plenty for large-format printing. Downsampling only removes pixels, though: it can't rescue a photo that is below 150 ppi at finished size.
Our templates already include the bleed in the artboard size, so we don't need printer's marks or extra bleed. If you're building the file without a template, make the artboard the finished size plus 10mm on every edge. A 1,000 x 2,000mm panel becomes a 1,020 x 2,020mm artboard (1,000 + 10 + 10 = 1,020). Then click Save PDF.
InDesign uses Export rather than Save As, but the settings are the same.
If your studio works to a PDF/X standard, that's fine. Adobe recommends PDF/X-4 for print publishing workflows. Just note that PDF/X-4, like [Press Quality], keeps transparency live rather than flattened, so the file still needs flattening as our specifications ask. Our guide on how to flatten a transparency shows how to do that in Acrobat Pro.
Canva isn't suited to preparing wide format print files. If your design is in Canva, talk to us before you send it, and we'll suggest the best way to get it print-ready.
Large wall graphics are easier to handle at a reduced scale, and everything scales with them. Here's how a 3,000 x 2,000mm wall graphic works out:
Illustrator has a size threshold too. If any artboard is larger than 227 inches (227 x 25.4 = 5,765.8mm, about 5.77m), it switches to a large canvas, which exports to fewer formats, though PDF is one of them.
Check the product template before you choose a scale. Our Big Mural display wall, for example, lists separate artwork guides for its 3m, 2.25m and 1.5m wide straight walls. Tell us what scale you've used when you send the file.
Open the exported PDF in Acrobat and run through these:
When it's ready, see how to send your artwork: email it to sales@displays2go.com.au with your order or job number in the subject line. If you'd like a second pair of eyes first, our artwork preflighting service is $45 ex-GST per job, with digital proofs sent back to you for approval before anything prints.